2021


Sculpture Garden: for performance Ablation Cake Sit
Bioplastic, beeswax, cake, drapery chord, linen, marble, natural dye, silk, and sod.

Stills from video documentation by David Madsen.






2020
RENT STRIKE
Flashe on cardstock and butcher paper 

Decentralized banner drop, open edition of paintings for windows, and community eviction defense April - June 2020.

2019 - present
Contact Doorstops
Basswood
3.25 x 3 x 2.5 in. 

Typeset in Vendetta
Edition of 9. 6/9 avail. 
A series of six doorstops made from soft basswood. The wedges each bear a sad little poem about love or touch or wear, burned into thier surfaces with a laser cutter. They could be read from the perspective of a person to a lover, or from the doorstop to the doorway. The text will be eventually beaten out by the weight of the door.

2018
W.I.C.
Cast-porcelain nipples, mason stains, eggshells
12’ x 12’ installation


Photos by Nina Johnson
2016
Curl Up
Laser-engraved Reves BFK, plexi, linen thread
8 x 6 x 1 in.

Reed College Press x Reed Physics Fab Lab
Edition of 40,
To be fabricated by machine & hand upon request

A copy can be viewed in the Reed College Speical Collections Libary.
Curl Up maps the places where my skin touches skin when I curl up in the fetal position. This was the beginning of my experiments using burning as a form of inkless printing.

I inked my body, sandwiched paper between its folds in the chosen gesture, then scanned the images to be digitally manipulated. I made my 1:1 body data legible to a rayjet laser cutting machine, then treated the laser cutter as a printmaker’s press bed. The burn is a grayscale image, with pores and wrinkles burned straight through the page.

The collection of inkless prints is coptic bound in a plexiglass cover. This artist book lives in an edition of 40, to be fabricated by machine and hand upon request. It can also be freely disseminated as a set of .ai files and open source machine calibration instructions.